Couldn't resist putting this lovely, textured gator up. One of my young students did it today. We studied Maxfield Parrish and the various ways he'd prepare for his paintings; building a model house and setting it on a mirror, set rocks and gravel on mirrors to use as subjects for those awesome mountains he painted, etc.
After that, we worked with modeling clay. First they sketched out ideas of what they wanted to do in clay. After their juices were flowing, they build lovely things like this alligator. We set them up under a lamp and darkened the room so they could see the shadows on their pieces, and they drew them again - so they could remember! Tons of fun. Hard to get them out of the classroom once our time was up.
Of course this is one of his most famous images, very beautiful.
This one is lovely, lovely. I don't know the background on this particular one, but it's likely that he built a small model and set it on a mirror, as he did many other times with similar images.
And here's one of his mountain scenes. Takes my breath away. Maxfield Parrish is one of my top ten favorite artists.
After that, we worked with modeling clay. First they sketched out ideas of what they wanted to do in clay. After their juices were flowing, they build lovely things like this alligator. We set them up under a lamp and darkened the room so they could see the shadows on their pieces, and they drew them again - so they could remember! Tons of fun. Hard to get them out of the classroom once our time was up.
Of course this is one of his most famous images, very beautiful.
This one is lovely, lovely. I don't know the background on this particular one, but it's likely that he built a small model and set it on a mirror, as he did many other times with similar images.
And here's one of his mountain scenes. Takes my breath away. Maxfield Parrish is one of my top ten favorite artists.